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绘画的样式没有好坏之分,只有深浅高低之别,在某一个祥式系统里面做到最好,这才是画家要追求的目标。拉斐尔是文艺复兴的高峰,鲁本斯是巴罗克的代表,塞尚是现代派的鼻祖。如果要拿三位来比个谁好谁坏,谁对谁错是愚蠢的。绘画更应该强调不同,但不等同于新旧,新是个时间概念,不完全是品质概念,就如同中国园林与现代高楼大厦比,确实有很大不同,但做得不好新也没有用。如果是偷工减料的新房那就更危险。
The style of painting is not good or bad, only the depth of the difference, in a certain auspicious system to do the best, this is the painter to pursue the goal. Rafael is the peak of the Renaissance, Rubens is Baroque’s representative, Cezanne is the originator of modernism. If you want to take three to better than who is bad, who is right who is stupid. Painting should emphasize different, but not equal to old and new, new is a concept of time, not entirely the concept of quality, just as the Chinese garden and modern high-rise buildings, indeed very different, but not doing well is useless. If it is jerry-building new houses it is even more dangerous.