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随着改革开放以来,我国人民对艺术的欣赏和重视水平不断提高。我国的钢琴家在钢琴作品上不仅吸收西洋乐器的表达技巧,同时也融入了我国的民族特色。而且还一直在探究在中国乐曲的演奏上如何更能够体现自己的特征,如何实现与我国的传统乐器相结合,形成我国自己的钢琴演奏的独特风格。黎英海作为新中国成立以来较早从事钢琴民族风格音乐研究和创作的代表人物,为推动钢琴民族调式和声及音调民族化发展方面做出了杰出贡献。本文通过分析黎英海的钢琴作品,探讨他在钢琴民族音调风格中的处理手法。
Since the reform and opening up, our people have enjoyed increasing appreciation and appreciation of the arts. Pianist in our country not only absorbs the expression skills of western musical instruments in piano works, but also incorporates the national characteristics of our country. But has also been exploring how Chinese music can better reflect its own characteristics and how to combine it with our traditional musical instruments to form our own unique piano style. As the representative of earlier research and creation of piano national style music since the founding of People’s Republic of China, Li Yinghai made outstanding contributions to the promotion of national harmony and development of tone national piano. By analyzing Li Yinghai’s piano works, this article explores his handling skills in the style of piano national tone.