陶渊明是中国晋末宋初时代所出现的中国第一田园诗诗人,华兹华斯则是19世纪末英国浪漫主义桂冠诗人,二人都是各自时代、各自领域的巅峰丰碑,他们对各自所处现实政治环境都心存不满,所以都选择了返璞归真,拥抱自然。从他们的田园诗创作中,人们能看到东西方截然不同的文化系统,也能看到他们在阐释自然过程中那种“无我”与“有我”的巨大差异。我们应该以这种“无我之境”与“有我之境”来审视中西方传统文化的异同之处,更深层次地理解中国的“天人合一”与西方的“天人相分”思想观念。 Tao Yuanming was the first idyllic poet in China appearing in the late Jin and Song Dynasties in China, while Wordsworth was the poet of the English Romanticism at the end of the 19th century. Both of them were the peak monuments in their own time and in their respective fields. Political environment are not satisfied, so have chosen back to nature, hug nature. From their idyllic creations, one can see the vastly different cultural systems from east to west, as well as the vast differences between the “no-self” and the “me-there” in their interpretation of nature. We should look at the similarities and differences between Chinese and Western cultures in terms of this “environment without me” and “with me.” We should further understand China’s “harmony between man and nature” “Heaven and Earth phase ” thought concept.