(一)全本戏,顾名思义,就是完整的一本戏,故亦称整本戏。作为笼统概念,如此解释,未尝不可。可是,从我国戏曲发展史来考察,对全本戏的解释,就需要费点笔墨,才可能说得清楚些。元杂剧全本戏,原不分析,由四个属于不同宫调的套曲,联缀宾白和科白而组成,敷演一个短而完整的故事。这四个套曲,乃是按照剧情发展阶段而安排的,即起(开场)、承(小高潮)、转(大高潮)、合(结尾)。比如,元刊本《关张双赴西蜀梦》,写 (A) The whole drama, as its name implies, is a complete drama, so it is also called the whole drama. As a general concept, so to explain, not a bad idea. However, from the history of the development of Chinese opera to examine the interpretation of the whole play, you need to spend some ink, it may be made it clearer. Yuan drama of the whole play, the original not analyzed, by the four different sets of palace song sets, combined with white and white Bingbin composed, performing a short and complete story. These four sets of songs are arranged according to the stage of development of the story, namely starting from the beginning, ending up from the climax, turning into a climax, and ending. For example, the yuan edition “off Zhang Shuang went to dream of West Shu,” write