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国外乐坛,当今广为争议的,并非一首歌,一位歌唱家或者音乐风格方面的问题,而是音乐合成器的音响。音乐合成器已经不属爆出的电视新闻,而是一件令人瞩目的新乐器。它正在大喊大叫,要求进入器乐家族,占有一席地位。它不似乳燕出谷,恰似雏凤争鸣。音乐合成器可以说是自1840年阿道夫·萨克斯发明萨克斯管以来,所问世的另一个为音乐家们广泛接受的新乐器。早在1971年,摇摆音乐家就曾使用这种新乐器,其重要性好比鼓和电吉他一样,有时甚至还显得地位更突出。它以新奇吸引着人们。一些作曲家开始用合成器作曲。万格里斯(Vange-
The foreign music scene, today widely controversial, is not a song, a singer or a musical style issue, but the sound of a music synthesizer. The music synthesizer is no longer a TV news burst, but a remarkable new musical instrument. It is shouting and asking to enter the instrumental family, occupying a seat. It is not like milk Yan Chu Valley, just like young phoenix contention. The music synthesizer can be said to have been another new musical instrument widely accepted by musicians since Adolf Saxophone invented the saxophone in 1840. As early as 1971, rock musicians used this new instrument as much as the drums and electric guitars, sometimes even more prominent. It attracts people with novelty. Some composers began compositing with synthesizers. Vange-