我们原有的素描观经过长久的传承,已然维护和助长了自身的特权,越发注重形与体的研究,而忽视了素描对色彩因素的体现,在功用上,也经常被断章取义,多把素描视为其他绘画的辅助形式。这些成见不仅降低了素描的身份,也使素描中的某些功用与属性被埋没,得不到开发,素描语言得不到充分运用,从而在某种程度上也妨碍了绘画的发展。 Our original concept of sketching has long maintained its own prerogatives, and has paid more attention to the study of form and body, neglecting the embodiment of sketches on color elements. In its function, it is often taken out of context and many sketches As a secondary form of other paintings. These stereotypes not only reduce the identity of the sketch, but also make some functions and attributes of the sketch buried, can not be exploited, and the sketch language can not be fully used, which hinders the development of painting to a certain extent.