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后苏联时期的二十多年来,著名作家佩列文通过体裁各异、手法不同和主题有别的文学创作,在相当程度上不仅促进了后现代主义在俄罗斯合法化,使严肃文学与通俗文学的边界彼此消弭,也使当代俄罗斯小说文类综合化,形成兼具传统与先锋、超越与眷顾特质的“合成小说”。与此同时,佩列文促使中国文学因素超出学界研究范围而成为审美因素,使当代俄罗斯文学呈现出别样的中国文化图景,进而成功地部分改写着当代俄罗斯文学史,实现了文学态势从单声部一元化到多声部复调化的转换,影响着当代时代话语的嬗变和转化。由此,佩列文的文学创作成为后苏联时期俄罗斯文学嬗变和发展的典型标本。
For more than two decades in the post-Soviet period, the famous writer Pelewen adopted a variety of genres, different approaches and different thematic literary creation to a considerable extent, not only promoted the legalization of postmodernism in Russia and made serious literature and popular The boundaries of literature disappear from each other and the modern Russian fiction genre is also integrated to form a “synthetic novel” that combines tradition with vanguard, surpassing and favoring traits. At the same time, Pelevin urged the Chinese literature beyond the scope of academia to become an aesthetic factor, so that contemporary Russian literature presents a different picture of Chinese culture, which in turn succeeds in partially rewriting the history of contemporary Russian literature, The conversion of the unitary unit to the polyphonic unit has influenced the transmutation and transformation of discourse in contemporary times. As a result, Perlevin’s literary creation became a typical specimen of the evolution and development of Russian literature in the post-Soviet era.