近年来,随着中国文化产业化的进程,原本由国家统筹安排、全额拨款的国有话剧院团,不再仅仅是国家意识形态的宣传者,而且是公共文化消费中艺术产品的生产者。既然呈现于舞台之上的戏剧作品,它的一部分价值的实现,要靠进入流通领域, In recent years, with the progress of the industrialization of Chinese culture, the state-owned theater troupe originally allocated by the state as a whole and allocated funds is no longer merely an advocate of state ideology, but also the producer of artistic products in public cultural consumption. Since the dramatic works presented on the stage, the realization of part of its value depends on entering the field of circulation,