格雷厄姆·哈根和海伦·蒂芬在其著作《后殖民生态批评:文学、动物、环境》的后半部,引用了马乔里·斯皮格尔的《可怕的对比:人类和动物奴隶制》,该部分聚焦于后殖民生态批评文学中种族主义和物种歧视之间的意识形态关联性。本文旨在分别通过种族主义、动物研究的角度,研读马克·吐温的《哈克贝利·费恩历险记》和约翰·马克斯维尔·库切的《伊丽莎白·科斯特洛》,重新审视表演他者之身份与他种表演者之间的关联。为此,本文还讨论了早期动物研究的奠基之作——乔治·阿甘本的《开放:人与动物》以及卡夫卡的短篇小说《一份致某科学院的报告》。 Graham Hagen and Helen Tiffin cite Marjorie Spiegel’s terrible contrast to the second half of his book Post-Colonial Ecocriticism: Literature, Animals, and Environment: Humans and Animals Slavery, “which focuses on the ideological linkages between racism and species discrimination in postcolonial ecocriticism. The purpose of this paper is to study Mark Twain’s Adventures of Huckleberry Finn and Elizabeth Costello by John Maxwell Couchet respectively through racism and animal studies, The identity of the other person is related to his performer. To this end, this article also discusses the founding work of early animal studies - George Forrest’s ”Open: Man and Animal“ and Kafka’s ”A report to a science school."