前不久,中央电视台和中国戏剧家协会联合举办了全国中、青年京剧演员电视大赛,我多次收看现场实况转播,对众多中青年演员的精湛技艺表演感到特别兴奋,为京剧事业后继有人而深感欣慰。尤其中年青衣里的薛亚萍,我觉得她是张门弟子中的佼佼者。她的演唱和表演可以说是“美、媚、甜、脆”。她学张君秋老师这一派是学其精华,继承流派、又发扬了流派。张派艺术有它很多优势和特征。张君秋老师的早年、中年、晚年这三个阶段的艺术方面是不一样的。有些演员学张派可能是没摸到窍门,总是一个劲儿地学张老师的晚年演唱。尽管艺术家越到晚年艺术越成熟,达到了炉火纯青的境界,但不能视而不见他力不从心的一面,因为人到了老年受生理条件的限制、跟他鼎盛时期的演唱肯定是不同的,因此,要学艺术家们风华正茂的盛年,而不是他的晚年。 Not long ago, CCTV and the Chinese Dramatists Association jointly held a TV contest for young and middle-aged Beijing opera actors. I watched the live broadcast many times and was particularly excited about the superb performance of many young and middle-aged actors. Pleased. In particular, young middle-aged Xue Yiping, I think she is one of the best disciples in the door. Her singing and acting can be described as “beautiful, sweet, sweet, crisp.” She is the school of learning Zhang Junqiu this school is to learn the essence of succession genre, but also carry forward the genre. Zhang faction art has many advantages and features. Zhang Junqiu teacher’s early years, middle-aged, late-age these three stages of art is not the same. Some actors learn Zhang school may not touch the trick, always hard to learn Zhang’s senior year old concert. Although the artist is more mature in his later years, reaching a blaze of fire, he can not ignore his incompetent side because people are bound by the physiological conditions of old age and are certainly different from his heyday. Therefore, artists should learn Prime of life, not his later years.