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此刻,尤伦斯的主人是王迈。无论你看不看得懂,在这湾“尤伦斯海峡”里,他情绪的宣泄和起伏都是显而易见的。长长的空间甬道里铺陈了中南海烟盒、白桦树,甚至还有他掀翻的自己工作室屋顶的铁板和带着腥气的鱼皮营帐。鱼皮这个材料他想用好久了,这次总算派上了合适的用场。无论你是看穿了他的心思,还是顿悟出了自己的一番逻辑,都很好,这便是一个装置艺术家的思考与实践。或许,装置艺术家的称谓已远远装不下王迈的种种,叫他综合艺术家应该更合适一些。
At the moment, Ullens’s owner is Wang Mai. Whether you can not read it or not, the catharsis and the ups and downs of his emotions are all obvious in this Gulf of Umrance. Zhongnanhai cigarette packs, birch trees, and even the roof of his studio upset iron plate and fishy camp tent with his fishy smell. Skin material he wanted to use for a long time, this time finally put on the appropriate use. Whether you look through his mind, or suddenly realized their own logic, are good, this is a device artist’s thinking and practice. Perhaps the name of the installation artist is far less than Wang Mai’s variety, so he should be more suitable for comprehensive artists.