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自1919年意大利人里乔托.卡努杜发表《第七艺术宣言》开始,电影被定位为一门艺术,并逐渐产生了属于自己的理论。1932年,鲁道夫.爱因汉姆的著作《电影作为艺术》对于电影本质和电影表达方式的研究再次为电影的艺术身份作出证明,他发展完善了电影心理学,并启发了后来的电影语言研究。本文对爱因汉姆的“技术缺陷论”进行考察,沿着他的观点论证电影技术发展的本质要求和对电影艺术的促进机制。
Since Ricci Canudu’s Italian Seventh Art Declaration was first published in 1919, the film has been positioned as an art and has gradually developed its own theory. In 1932, Rudolf Einheim’s work “The Art of Cinema” as a study of the nature of cinema and the way in which cinema was expressed proved once again the artistic identity of the film, and he developed and improved cinematic psychology and inspired later cinematic languages the study. In this paper, Einsheim ’s “Theory of Technology Defects” is investigated, along with his point of view the essential requirements of the development of film technology and the promotion of film art.