本刊在今年第二期曾就“编剧沦为戏剧文秘”及编剧话语权的问题进行过专题讨论。近期,围绕电视剧《美丽的契约》而引发的论战,再次将由演员、编剧、导演、制片人等各种角色组成影视产业链条中话语权如何分配问题推向业界的话题中心。在中国,影视编剧的主体地位因长期得不到尊重而处于整个行业链的末端,确是不争的事实,这直接导致影视产品质量的滑坡。如何改善目前影视编剧的弱势地位,维护其应有的权益与尊严,需要 In the second issue of this issue, the magazine held a special discussion on the issue of “writers becoming drama secretaries” and writers’ right to speak. Recently, the controversy triggered by the drama “Beautiful Contract” will once again be the topic center of how to allocate the right to speak in the film and television industry chain by various actors such as performers, screenwriters, directors and producers. In China, it is an indisputable fact that the main position of film and screenwriters in the entire industry chain due to lack of respect for a long time is an indisputable fact, which directly leads to the decline of the quality of film and television products. How to improve the disadvantaged position of the current screenwriter and safeguard its due rights and dignity?