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主持人语:虽然历史学家与艺术史学家曾对哲学与艺术实践之间的关联有过认真研究,但那距今已有一段时日。在20世纪中叶,此类对照比比皆是。然而,当时的学者们试图在艺术中发现某个特定时期的主流宇宙论或认识论设定的踪迹,那些研究虽然并非毫无凭据,但艺术在其中仅仅是哲学思想的一种反映而已。20世纪末期,绝大多数艺术史学家将精力集中于艺术在其历史脉络中的社会作用,因此,艺术与哲学之间的关联绝少作为一个问题而被摆在台面上讨论。本次专栏中的论文以新颖的路径再度研究此问题。三篇文章从不同的方面切入,动摇了东西方在本质上存在根本差异的传统设定。同时,每
Moderator: Although historians and art historians had studied the relationship between philosophy and artistic practice for some time, it has been around for some time now. In the mid-20th century, such controls abound. However, scholars at the time tried to find traces of mainstream cosmology or epistemology in a given period of art. Although these studies are not without evidence, art is merely a reflection of philosophical thinking. At the end of the twentieth century, most art historians focused their attention on the social role of art in its historical context. Therefore, the link between art and philosophy is seldom discussed as a problem on the platform. The essay in this column revisits this question in a novel way. The three articles cut in from different aspects and shaken the traditional set of essential differences between East and West. At the same time, each