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有人把巴赫的平均律键盘曲集比作《旧约圣经》,而把贝多芬的32首钢琴奏鸣曲比作《新约圣经》。这个比拟在钢琴爱好者中无人不知。的确,自从发明了钢琴这件“乐器之王”后,人类为这件乐器所写下的最奇妙、凝聚着人类最深智慧的杰作,就要数巴赫的两卷“平均律”和贝多芬的32首奏鸣曲了。尽管纵观音乐史,我们不能说这两部作品无与伦比,因为“平均律”后又有肖邦、肖斯塔科维奇等人追随这一体裁所写的杰作(肖邦和肖斯塔科维奇的前奏曲),而舒伯特的钢琴奏鸣曲比
Some people like to compare Bach’s average-law keyboard collection to the Old Testament and Beethoven’s 32-piece piano sonata to the New Testament. This compares to no one in piano enthusiasts. Indeed, since the invention of Piano, the “king of musical instruments,” the most marvelous and condensed masterpiece of humankind that mankind has written for this instrument, it is not surprising that Bach’s two volumes of “Laws of Equalization” and Beethoven’s 32 sonatas. Although we can not say that the two works are unparalleled through the history of music because the “average law” is followed by Chopin and Shostakovich who followed the masterpiece written by this genre (Chopin and Shostakovich Prelude), while Schubert’s Piano Sonata