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近来,话剧创新的呼声日渐其高。各种各样的舞台演出形式不断出现于话剧舞台。这种艺术思想和演出实践的活跃无疑是很有意义的。但是,在目前的创新潮流中,也出现了一种片面追求形式的现象。比如,不管剧情和内容是否需要,一会来个黑场,表示时间转换;一会来束追光,表示空间跳跃。这就在部分人心中造成了一种误解,好象戏剧创新就是舞台表现手段上的这些黑场、定格、追光、投影加上几何景、蒙太奇手法等等。我并不反对并且十分支持话剧在表导演艺术上的探索,但严格地说,创新不能仅停留在演出形式上,尤其不能脱离剧作的内容。真正的戏剧创新,首先应该是剧作的创新,从反映新的生活内容出发,产生新的立意、新的内涵和新的剧作形式。这种
Recently, the voice of drama innovation is increasingly high. A variety of stage performances continue to appear in the arena of drama. This kind of artistic thought and the performance of the performance of the activity undoubtedly makes sense. However, in the current trend of innovation, there has also been a phenomenon of one-sided pursuit of form. For example, no matter the plot and the content are needed, a black field will be displayed for time conversion; This creates a misunderstanding in the minds of some people. It seems that theater innovation is the black stage, stop-motion, chasing light, projection plus geometry, montage, etc. on the stage performance means. I do not oppose and strongly support the exploration of drama in the director’s art, but strictly speaking, innovation can not stop at the form of performance, especially the content of drama. The true drama innovation should first of all be the innovation of drama, starting from reflecting the new content of life, creating new conceptions, new connotations and new forms of drama. This