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一般地说衣纹褶折的穿插、聚散、起止、转折都要服从人物的动态体形进行塑造,能体现人体结构、比例、动式规律等方面的知识,在进行实际衣纹处理时,我们往往会出现两种错误的塑造倾向,即:一味追求表面服饰衣纹变化,忽略了衣着内部的形体结构关系,破坏了人物的形态特征;另外就是过于强调人体结构,不注意衣服本身的形体特征,失去了着衣人物的性格把握。试想通过衣纹皱褶规律、人物形态特征、衣纹的虚实处理三个方面的论述,来正确处理人物衣纹的泥塑塑造,达到人物雕塑创作的艺术目的。
In general the crease folds interspersed, gathered together, starting and ending, transition must obey the dynamic body shape to shape, to reflect the human body structure, proportion, dynamic law and other aspects of knowledge, the actual treatment of clothing, we There are often two kinds of mistaken tendencies: blind pursuit of changes in the surface of clothing, ignoring the physical structure of the relationship between clothing, undermining the character’s morphological characteristics; the other is too much emphasis on the human body structure, do not pay attention to the physical characteristics of the clothes themselves , Lost the character of the dress to grasp. Trying to correctly handle the modeling of figures and garments through the discussion of the rules of the pattern of wrinkles, patterns of characters and actual conditions of garments to achieve the artistic purpose of sculpture creation.