9.英国 英国也有无调性的交响乐作曲家,但他们基本对形式没有什么发展。塞尔的五首交响乐都是陈规老套的,属浪漫主义风格;在年轻的作曲家中,贝内特和麦凯布都写了表面辉煌的、而不尽令人满意的交响乐;在弗里克、戈尔·霍迪诺特和弗兰克尔的交响乐中有更为紧密建贯的创造力;但也许在这一类型的人物中,给人印象深刻的,却被低估了的是威廉·阿尔文、他那直率的新浪漫主义的风格使他的交响乐具有美国调性乐派的某种 9. British Britain also has non-tonality symphony composers, but they basically have no development of form. Searle’s five symphonies are stereotyped, romantic style; in the young composers, Bennett and McCabe wrote a brilliant surface, but not satisfactory symphony; in the Freeman G. There is more ingenious creativity in the symphonies of Ghor Howardott and Frankel, but perhaps the most impressive but underestimated of this type of person is William Al His straightforward, neo-romantic style makes his symphony a somewhat American tonalist