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捏塑在中国有着悠久的历史,具有着自由表达的特殊的艺术意味,这是由于捏塑是制作者的随兴而作、自由发挥和随机性的操控,使之自然生动的特点发挥得淋漓尽致,这同中国的绘画的写意以及书法艺术抽象的韵味同出一辙。在中国民间雕塑中,这种依材料的基本特性而产生的塑造手法得到了充分的发挥,超越了单纯程序技术方法的显示,而达到了一种自由表达、生动体现的情趣,形成了一种独特的审美的境域。率性而至所蕴含的潇洒韵味的精致同工艺性的精雕细凿以及严整的工细大相径庭,更加突出地显示了东方文化的境界和特征,将形与意结合,在实体的塑造中追求到了一种“畅神”的境态。
Molding in China has a long history, with a free expression of the special artistic meaning, which is due to the plastic molding is the author of the free-spirited, free play and random control, make it natural and vivid features to play most vividly , Which is the same as the freehand brushwork of Chinese painting and calligraphic abstraction. In the Chinese folk sculpture, this method of shaping according to the basic characteristics of the material has been fully developed, beyond the display of pure procedural techniques and methods, and has reached a free expression, a vivid expression of interest, forming a Unique aesthetic area. Rush to the implied charm of the delicate and exquisite craftsmanship with carving and strict workmanship are very different, more prominent to show the realm and characteristics of Eastern culture, the shape and meaning of the combination, the pursuit of the entity in the building A “Cheongsam ” attitude.