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这两类诗都以女性心态为描写对象。宫怨诗专写古代帝王宫中宫女以及失宠后妃的怨情;闺怨诗则主要抒写古代民间弃妇和思妇(包括征妇、商妇、游子妇等)的忧伤,或者少女怀春、思念情人的感情。两类诗又都起源于周代:《诗经·小雅》有一篇《白华》,据朱熹《诗集传》,周幽王得褒姒,黜申后,“申后作此诗”以自伤,是为古代宫怨诗之滥觞。闺怨诗在《诗经》里尤多,像写弃妇的《邶风·谷风》、《卫风·氓》,写思妇的《卫风·伯兮》、《王风·君子于役》等,都是早期闺怨诗的代表。汉魏晋南北朝
Both types of poems describe the object with feminine mentality. Palace poetry epic write the palace empress palace in the ancient imperial palace and the princess lost princess resentment; boudoir poetry is mainly to express the ancient civilized abandoned woman and think woman (including women, women, swimmers, etc.) sadness, or young girl miss spring, miss lover Feelings. Both types of poems originated in the Zhou Dynasty: “The Book of Songs Xiaoya” has a “Bai Hua”, according to Zhu Xi’s “Biography of Poetry”, Zhou Youwang was praised, after Shen application, “ Self-wounded, is the origin of ancient palace poetry. Boudoir poetry in the ”Book of Songs“ especially in the ”Book of Songs“, like to abandon the woman’s ”wind Ba Gu Feng“, ”Wei Feng Shurong“, write the woman’s ”Wei Feng Bo Xi“, ”Wang Feng gentleman in service" and so on , Are the representatives of early girlfriends poem. Han, Wei, Jin, Northern and Southern Dynasties