论文部分内容阅读
《林泉高致》是中国山水画论史中极为重要的一部理论著作,郭熙的“三远”法影响了中国山水画范式的确立,更体现了中国传统绘画的审美范畴。本文就《林泉高致》中“三远”的“远”论述了“远”从单纯语义学生发出审美的,哲学的多重含义。“远”实为自然山水与人性品格的形质合一,成为人精神的一个充融放达的,诗意栖居之所。
Lin Quan Gao Zhi is an extremely important theoretical work in the history of Chinese landscape painting. Guo Xi’s “Three Far” method influenced the establishment of Chinese landscape painting paradigm and embodied the aesthetic category of Chinese traditional painting. This paper discusses the multiple meanings of aesthetic and philosophical origin from “simple” semantic students in “Yuan Yuan” in Lin Quan Gao Zhi. “Far ” is actually a combination of the natural landscape and the character of human nature, becoming a melting point of the human spirit, poetic dwelling places.