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文章主要探析中唐新乐府诗的诗体特征。中唐新乐府诗人在选择体裁样式时别具匠心,从中透射出他们的乐府观。一方面借鉴汉魏古乐府之体式,采用古体,有五言、四言、杂言等,风格古朴浑厚,富有情感张力。另一方面又有所新变,吸收唐代民间流行的歌谣体“三三七体”来改造乐府诗,这种体式流利宛转,易于唱诵,为时人所喜,便于实现诗人以诗为奏议的目的。中唐新乐府还采用组诗的形式全方位、多角度地表现主题,这类组诗有总题、分题,组诗内的每首诗风格一致,篇幅接近,各个单篇以某个视角来展现共同的主题,有助于深层次开掘主题,有利于传播组诗所呈现出的情感内容和艺术风格。
The article mainly probes into the poetic characteristics of the new Yuefu poems in the Middle Tang Dynasty. New Tang Dynasty poet in the Tang Dynasty in the choice of genre style distinctive, revealing their concept of Yuefu. On the one hand, we can learn from the style of ancient Yuefu in Han and Wei dynasties, adopt archaic, five-character, four-character, miscellaneous words and so on, simple and vigorous style, full of emotional tension. On the other hand, there have been new changes, absorbing the folk songs popular in the Tang Dynasty “Three Three Seven” to transform Yuefu Poetry, which is fluent and easy to chant, as people like to facilitate the realization of the poet Poems for the purpose of playing. In the Tang Dynasty, the New Yuefu also adopts the form of group poems to express the themes in all directions and angles. Each group of poems has the total problem, the style of each poem in the sub-question and the group poems is the same, and the length of each poem is similar. The theme of this book helps to dig deep into the topic and is conducive to transmitting the emotional content and artistic style presented by the poems of the group.