《醉·生梦死》流连在台北宝藏岩古旧的贫民街区,机车、菜市、天台,构成令人熟悉的台北风情。张作骥毫不避讳镜头中的脏乱差,反而“变本加厉”地用各种特写将其——摄入,大量动物隐喻的加入,将一种令人窒息的庸碌感推向极致,蚂蚁、金鱼、猪头,甚至是角落里死去的老鼠,都让影片越发沉重。因为“性侵”丑闻,张作骥于今年锒铛入狱。导演的身陷囹圄让《醉·生梦死》在今年的华语新片中 “Drunk dreams of life” hang around in the ancient treasure of rock boulders in Taipei blocks, locomotives, vegetable markets, roof, constitute a familiar style of Taipei. Zhang Zuji is not taboo in the lens of the dirty and messy, but “intensified ” with a variety of features to its - intake, a large number of animal metaphors to join, a kind of suffocating sense of urgency to the extreme, ants, Goldfish, pig’s head, and even dead mice in the corner, make the film more and more heavy. Because of “sexual assault” scandal, Zhang Zuji was jailed this year. The director is caught in grudges so that “Drunk Dream” in this year’s Chinese film