我估计,对黄晓亮作品感到痴迷的人一般分两种:一种是对童年抱有异常爱好,而且记忆里总是“牧童骑黄牛,歌声振林樾”式的乡野梦想和“意欲捕鸣蝉,忽然闭口立”式的童年秘境;另一种则是沉迷于画面的层次分析与图像的构成过程。前者弥漫在黄晓亮作品的气息里,而后者通常会问“这是后期做的吗?”为什么不想到前期呢?比如说,在一面墙上用不同的投影打上去,这些深浅不一的投影画面叠加在一 I estimate that people obsessed with Huang Xiaoliang’s work generally fall into two categories: one is an unusual hobby for childhood, and the memory is always “the shepherd riding a cow, singing Zhen Lin” style country dreams and Desire to catch cicadas, suddenly shut up “type of childhood secrets; the other is addicted to the image of the level of analysis and composition of the image process. The former is pervaded by the atmosphere of Huang Xiaoliang’s work, and the latter usually asks, ”Is this done later?" Why did not I think of the earlier period? For example, using different projections on a wall, these different shades Projection screen superimposed on one