论文部分内容阅读
(五) 由想象中的感性映象到作品中的艺术形象艺术家着手创造形象之前,都要经过一个酝酿构思阶段,未来的艺术形象,都已在他头脑中以感性映象(即表象)的形式而观念性地存在着,在其后的整个创作过程中,表象处于不断运动之中。逐步得到外化。想象中的表象总是能动地调节着和推动着创作过程中的每一个动作,使之符合于要创造的艺术形象的目的和要求。同时,创作中的每一个动作所产生的结果,又反过来改变着、修正着想象中的表象运动状态,这在心理学中叫做反馈作用。因此
(5) From the Imaginative Perceptual Image to the Artistic Image in the Works Prior to embarking upon the creation of the image, the artist has to go through a stage of brewing ideas and the image of the future art, all in his mind with a sentimental image (ie appearance) Form and conceptual existence, in the subsequent creation process, the appearance is in constant movement. Gradually get external. Imaginative appearances are always able to dynamically adjust and promote every action in the creative process to make it consistent with the purpose and requirements of the artistic image to be created. At the same time, the result of every action in the creation, in turn, changes and modifies the state of the pictographic movement in the imagination, which is called feedback in psychology. therefore