中国的水墨人物画从现实主义的码头起航,开始新的征程,这是我国当代美术一件富于象征意味的事件。去年秋季,北京的一批油画家打出“写实主义”旗号在中国美术馆举行了首届年展,《美术》召集理论家和画家举行了专题学术研讨会,当时我曾说过,现实主义再度进入当代话语中心,原因是源自当代美术的本体诉求。 Chinese ink figures set sail from the dock of realism and embarked on a new journey. This is a symbolic event of contemporary Chinese art. Last fall, a batch of oil painters in Beijing held the first annual exhibition entitled “Realism” at the China Art Museum. Artists and art academics of “art” convened special symposiums. At the time, I said that realism re-entered Contemporary discourse center, the reason is derived from the ontology of contemporary art appeal.