当代京剧界,可以称得起有系列作品的演员不多,想到的,可以信手写出来的,如尚长荣之《曹操与杨修》、《岐王梦》、《贞观盛事》、《廉吏于成龙》等,裴艳玲之《钟馗》、《武松》、《响九霄》等,朱世慧之《徐九经升官记》、《膏药章》、《药王庙传奇》、《法门众生相》等,似乎都是水到渠成,顺理成章的。去年,看了武汉京剧院刘子微主演的新戏《水上灯》 Contemporary Beijing Opera, can be called a series of works of the actor is small, think of, can be written by hand, such as Shang Chang-rong, “Cao Cao and Yang Xiu,” “Qi Wang Meng,” “Zhenguan event,” “ Zhu Yuhui’s ”Xu Jiu Jing Sheng Guan Ji“, ”plaster chapter“, ”Legend of Yao Wangmiao“, ”Famen“, all seem to have It is a matter of course. Last year, I watched the new play ”Water Lantern" starring Liu Pei-Wei in Wuhan Peking Opera Theater