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大抵碑帖拓片字口都有突出印痕,一些石刻会因为拓手不精或椎拓困难很容易造成“圆笔”或“方笔”之说。遇到碑石有破损,字边缘模糊不清,字边缘破烂,没有使用小拓包进行补救,再加上几百年上千年风雨水火、石花剥蚀,也不会都约好只在头尾而不涉中段。所以残缺的是笔画的整体,也并非只有头尾两端。而后世人在观看了这样的拓片传达与他们的信息之后,作为一个相对自由的审美客体,人们在临摹和创作的过程中不乏会有大量人去刻意模仿其残损的笔意。
Quite often rubbings rubbings words have prominent marks, some stone because of extension or lack of vertebral extension is very easy to cause “round pen ” or “square pen ” said. Met the monument is damaged, the word edge blurred, the word edge tattered, did not use a small extension of the package to remedy, coupled with hundreds of thousands of years of stormy water, stone erosion, will not have an appointment only in the head and tail instead In the middle section. So incomplete is the whole stroke, it is not only the beginning and the end. After the world watched such rubbings communicate with their information, as a relatively free aesthetic object, there are many people in the copying and creation process there will be a large number of people deliberately imitate the meaning of its damage.