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在对《文心雕龙·隐秀》篇的研究中,有一类颇具影响的意见是将“隐秀”看作不同的风格类型:一是“隐”与远奥的风格相近或相通;二是“秀”与新奇的风格接近;三是认为“隐秀”与“风骨”属于刚柔对立的关系,“隐秀”是阴柔的风格。从《文心雕龙》原文所述可知,“隐”、“秀”、“隐秀”都不是风格类型,而是刘勰受汉代京房《易》学影响所作的美学探讨。“隐秀”这一美学命题,是刘勰主张的写作之美与写作策略的重要范畴。
In the study of The Literary Mind and the Carving of Dragons · Implicit Show, one of the most influential opinions is that the “hidden show” is regarded as a different type of genre: first, “hidden” is similar to the style of Yuan Yuan Or similar; second, “show ” and novelty style close; third is that “hidden show ” and “strength of bone ” belongs to the relationship between rigid and flexible, “hidden show ” is a feminine style. From “Wen Xin Diao Long”, we can see that “hidden”, “show”, “hidden show” are not style types, Discussion. The aesthetic proposition of “hidden show” is an important category of the beauty and writing strategy advocated by Liu Xie.