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用手指头作画是中国传统绘画中一种独有的艺术表现方式,指墨画有着用笔作画所不能替代的长处。“心手合一”是体现指墨画艺术创作本体的自在境界,数量繁多的优秀指墨画作品可以作为佐证。在当下后现代回归传统价值观的文化语境中,如何重新发现指画区别于笔画的本体语言,探寻一条适合现代指墨画发展的道路,是当代指墨画家首先要解决的问题。
Finger painting is a unique way of representing traditional Chinese painting. It refers to the fact that ink painting has the advantages that can not be replaced by pen painting. “One heart and One hand ” is the embodiment of the art of ink painting refers to the realm of self-realm, a large number of excellent refers to the ink paintings can be used as evidence. In the current cultural context of returning to the traditional values in the post-modern era, how to rediscover the ontology language that distinguishes finger painting from strokes and explore a suitable way for the development of modern ink painting is the first problem to be solved by contemporary Chinese ink painters.