谢天赐的作品非常粗犷、大气。这是在一段时间里面致力于花鸟画的改革和突破的成效。一大批仁人志士有志于这方面的工作。有的画得很大的,有一面墙大,现在越来越大。古人是不可能这样作画的。我认为这个首先在观念上和技巧上有一种很强烈的突破渴求。因为中国的花鸟画主要是文人画,更多的是作为文人把玩、静观。甚至是可以手上把玩儿的感觉,甚至是手卷,很小的册页。中国画是通过对水墨的把握,通过手脑运用笔,进行各种心灵的表达。这种韵味除了有一定的力量能 Xie Tianci’s works are very rough, the atmosphere. This is the result of a period of time devoted to the reform and breakthrough of flower and bird painting. A large number of lofty ideals interested in this area of ​​work. Some are very large paintings, one wall is large, and now more and more. It is impossible for the ancients to paint in this way. I think this is a very strong breakthrough in concept and skill at first. Because China’s flower and bird painting is mainly literati painting, more is to play as a literati, wait and see. Even the feeling of playing on the hands, or even the hand-rolled, very small album. Chinese painting is through the mastery of ink, through the use of pens through the hand, a variety of spiritual expression. This charm in addition to a certain amount of power