中国工笔画,如何追求以意写形,不拘于工致而求得畅神达情的意象表现?我对意象的理解是,意象是艺术家个人性情、精神心象在对客观物象的体察、感应中生成的,从而在创作中呈现一种个人精神话语的表达。 《蚀》,表现女人体的作品。我画这幅女人体,从写生到作品,起初是有一个生活模特作写生参照的。确定这种团抱状的跪姿,是因为与之有一种心灵上的震颤与精神取向的感应——在静卧与蜷曲之中,在内敛、抑制与积蓄之中,似蕴含有 How can Chinese strokes, the pursuit of the intention to shape, regardless of work-induced pain and seek expression of the image? My understanding of the image is that the image of the artist’s personal temperament, mental image in the objective observation of the phenomenon, the sensor generated So as to present an expression of personal spiritual discourse in the creation. “Erosion”, the performance of women’s body works. I painted this body of women, from sketches to works, at first there was a living model for sketch reference. The determination of this group of kneeling knees, because there is a kind of spiritual tremor and spiritual orientation of the sensor - in lying and curling, in restraint, inhibition and savings, it seems to contain