现如今的动画作品,大半都是通过数字技术创作的,但其基本的手绘特征或隐或显,一直没有丢弃。本文试图对手绘美学在数字动画中的功能转换做一些理性的梳理,解析手绘美学与数字技术之间的互文性。 Today’s animation works are mostly created through digital technology, but their basic hand-painted features are either unobtrusive or explicit. This paper attempts to do some rational combing of the functional transformation of hand-painted aesthetics in digital animation, and analyzes the intertextuality between hand-drawn aesthetics and digital technology.