本文从古代文献记载、儒教造像及三教造像的语境中梳理出孔子形象的历史脉络,从而得出孔子的形象从来就不是一个具体的、孤立的存在结论。作者认为对于孔子造像追问的意义已不是一个单纯的考古与还原,更重要的是把孔子作为一个历史的、文化的、政治的符号来解读。 This article combs the historical context of Confucius image from the context of ancient literature, Confucian statues and the Three Religions, and concludes that the image of Confucius has never been a concrete, isolated existential conclusion. The author thinks that it is no longer a simple question of archeology and reduction to ask the question of Confucian statues, but more importantly interprets Confucius as a historical, cultural and political symbol.