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一现存中国最早的风景画,是八世纪,即唐朝的作品,而从文献资料上,风景艺术可追溯到五、六世纪.要了解它的一般性特点和基本结构的话,在云、地层、花草、树木、枝干、高耸的高山及将其连在一起的流畅、富于动感的轮廓线中,可以发现其特征.以台北故宫博物院的八世纪的风景画《山中行旅图》模本为例,幻想般耸立的岩壁风景,渗透着流动的生命力,展现在人们面前,无限地运动、扩展着,直至充满了整个富于幻想色彩的风景.对于这一风景描写来说,重要的不是空间关系的合理说明,而是画家通过笔、刷之运用所要表达的各种内在力量的描绘.
One of the earliest existing landscape paintings in China is the works of the Eighteenth Century, the Tang Dynasty, and from the literature, landscape art dates back to the fifth and sixth centuries. To understand its general characteristics and basic structure, Its flowers, trees, branches, towering mountains, and its fluid and dynamic contours connecting it together can be found in its characteristics.Taking the eighteenth century landscape painting “Shanzhong Travel Brochure” of the National Palace Museum in Taipei, As an example, the spectacular rocky landscape permeates the vitality of the flow and shows in front of people endless movement and expansion until it is full of the entire landscape of fantasy. For this landscape description, the important It is not a reasonable explanation of spatial relations, but the painter uses brushstrokes to draw the depiction of various internal forces to be expressed.