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一李渔声律论是对《中原音韵》的继承。李渔明确提出了以《中原音韵》为作南曲的声韵规范,“寸步不容越”的思想。《中原音韵》是我国元代曲学理论奠基人周德清创制的声律理论专著。全书以“十九韵”的韵谱、以“乐府三百三十五章”为代表的按宫调划分的曲谱和以“作词十法”为代表的“首重音律”的曲
A Li Yu sound theory is the “Central Plains rhyme” inheritance. Li Yu explicitly put forward the “rhyme in the Central Plains” as the southern song rhyme norms, “inch by inch ” idea. “Central Plains rhyme” is a monograph of acoustic law theory created by Zhou Deqing, the founder of the theory of music theory of Yuan Dynasty in China. The book with “nineteen rhyme ” rhyme spectrum, to “Yuefu three hundred thirty-five ” as the representative of the tune divided by the palace and “lyric ten law ” as the first “ ”Song