我们看到,随着社会的发展,特别是科学和技术的发展,多种艺术形式已经越来越显示出它们不仅仅是一些娱乐的工具,而且是具有更大的欣赏性和研究性的作品。从另一个角度说,我们“思想”的视野也日益扩大,深入到社会生活的方方面面,深入到各个艺术部类的内在特性,从而各艺术部类已不仅仅是大众的单纯娱乐方式,而且也逐渐成为哲学家,文人学士思考、理解、研究的“对象”。当代中国摄影对摄影家及其欣赏者来说,是一个不能忘怀又值得不断重温的存在。作为当代中国对梦想追寻的表意形式,它也完整地体现了当代中国摄影家的心路历程。因此,我们既可以把当代中国摄影看作是摄影家的心灵史,又可以把它看作是社会历史精神 We see that with the development of society, especially the development of science and technology, various forms of art have increasingly shown that they are not only tools of entertaining but also works of greater appreciation and research . From another point of view, our vision of “thinking” is also expanding day by day. It goes deep into all aspects of social life and goes deep into the inherent characteristics of various arts departments. As a result, arts departments have become more than mere forms of entertainment for the general public. Gradually become philosopher, scholar bachelor thinking, understanding, research “object.” Contemporary Chinese photography is an unforgettable and worthwhile constant re-existence for photographers and their appreciators. As a form of ideation that contemporary China pursues its dreams, it fully embodies the mentality of contemporary Chinese photographers. Therefore, we can think of contemporary Chinese photography as a photographic history of the mind of a photographer, and we can think of it as a historical spirit of society