中国画艺术源远流长,在其漫长的历史进程中,从以线造型,书法入画,骨法用笔,崇尚水墨,讲究意境的基础上,日臻完善,形成完整的东方绘画体系。在这一绘画体系中,人物画早已占据了三分天下,并在今天以强劲的势头发展着。众所周知,人物画出现最早,约在魏晋已趋于成熟,在中国画家族中,人物画虽然是长子,但后天不足且多灾多难,在它艰难的历程中,始终难以摆脱悲剧的阴影,担当不了“长子”的重任,发挥不了“老大”的作用,结果在技法方面,山水画最完备,花鸟画次之,人物画最弱。究其原因,是古代人物画家在对人体比例、人体结构及解剖透视的精深深求和充分表现这一重要课题的研究中收效甚微,在绘画语言的丰富性和 Chinese painting has a long history. In its long historical process, based on the modeling of line, calligraphy and painting, pen of bone method, ink and wash, and artistic conception, Chinese painting becomes more and more perfect and forms a complete oriental painting system. In this painting system, figure painting already occupies a third of the world, and today with a strong momentum development. As we all know, portraits appear earliest, about the Wei and Jin have become mature in the Chinese painting family, although the eldest son figure painting, but inadequate and calamity, in its difficult course, it is always difficult to get rid of the shadow of tragedy, Can not play “the eldest son,” the important task, can not play “boss ” effect, the result in technique, the most complete landscape painting, flowers and birds painting second, the wearer the weakest figure. The reason for this is that the ancient figure painters have had little success in the study of the deep subject of human body’s proportion, human body structure and anatomical perspective and the full performance of this important subject. In terms of the richness of the painting language and