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王兴伟从2005年到2008年这一阶段的作品主要具有符号指代的特点,内容延续上一个阶段对“生活事件”、“情感话题”、“情景场面和人物状态错位”等的趣味,但种类相对减少和集中,更加关注关系和系统。这一阶段前期大多采用制服形象,后期采用了一种大众文化快餐式的漫画形象(“大划船”系列)。2005年《无题(空姐和海军)》中正式开始了制服形象的指代功能,身份代替了具体的人。制服使这些角色不用做任何事情就有了特征,王兴伟恰好可以利用他们做些他感兴趣的其他事情。观者赋予了制服身份无限多的背影资料,但是王兴伟不关心制服身份代
Wang Xingwei’s works from this period of 2005 to 2008 mainly have the characteristics of symbolic reference. The contents extend to the previous stage of “life events”, “emotional topics”, “scene scenes and dislocation of characters” And so interesting, but the relative reduction and concentration of categories, pay more attention to the relationship and system. Most of the early stage of this phase with a uniform image, the late use of a popular culture fast food style comic image ( “Big Boating ” series). In 2005, “Untitled (Stewardess and Navy)” officially began to refer to the uniform image of the function, identity instead of a specific person. Uniforms made these characters featureless without doing anything, and Wang Xingwei could just use them to do other things of interest to him. The viewers have given an infinite number of uniforms back figure, but Wang Xingwei does not care about the identity of the generation