今天,在世界各主要国家的艺术评论专家会聚一堂的的场合,来重新探讨一个长期国际化的艺术概念,是我所期待的。 在过去大约一百年中,影响世界最大的艺术主张,无疑就是所谓“前卫艺术”。它在西欧崛起之后,几乎无坚不摧地突破国界,越过洲际冲击到所有欧化的地区,当然也包括日本、韩国、台湾及中国大陆。 Today, it is my expectation to revisit a long-term internationalized concept of art where art critics from all major countries of the world come together. In the past about one hundred years, the most influential artistic proposition in the world was undoubtedly the so-called “avant-garde art.” After its rise in Western Europe, it almost invariably breached national boundaries and crossed all continents across the continent, and of course Japan, South Korea, Taiwan and mainland China.