在京居艺术中,打击乐的运用达到了相当高度的成就。它不仅与京剧表演的“唱、念、做、打”等表现手段有着密切的联系,而且能够造成一种独特的、为管弦乐所不能代替的音响效果,用以烘托舞台气氛,表现戏剧情绪。因此,打击乐在京剧艺术中有着特殊功能和地位,也是形成京剧艺术独特的表现形式和艺术风格的重要因素之一。京剧打击乐虽然组织相当严密、复杂,表现力很强,但其乐器的配置和运用。手法却十分简练,具有鲜明的艺术特色。 The use of percussion in Kyoceju has reached a fairly high level of achievement. Not only does it have a close connection with performance means such as singing, reading, doing and playing in Beijing Opera, it can also create a unique sound effect that can not be replaced by orchestra, which is used to express the stage mood and express drama sentiment. Therefore, percussion has a special function and position in the art of Peking Opera, and is also one of the important factors in forming Peking Opera’s unique artistic forms and styles. Peking Opera percussion Although the organization is quite tight, complex, strong expression, but the configuration and use of its instruments. Practice is very concise, with distinct artistic features.