当我们反观女性文化的现代性萌芽时,戏曲则无疑是一种理想的文本样式。第一,与其他文学样式相比,戏曲不是单纯地将女性形象作为审美对象束之高阁,而是用大量的笔墨去刻画女性的外在行动与内在心理,表达女性自身的情感和追求;第二,戏曲拥有大量忠实的女性观众和读者。女性看戏往往是一种卷入式的欣赏方式,把故事当成事实。弗洛伊德说:“幸福的人绝对不会幻想,只有那些得不到满足的人才会幻想。得不到满足的愿望是幻想的 When we look at the germination of the modernity of female culture, opera is undoubtedly an ideal text style. First, compared with other literary styles, the drama does not simply put the image of women as the shelves of aesthetic objects. Instead, it uses lots of ink and brush to depict the external actions and inner psychology of women and express their own feelings and pursuits. Second, Opera has a large number of loyal female audience and readers. Female theater is often a kind of immersive appreciation of the way the story as a fact. Freud said: ”A happy person will never fantasize, and only those who are not satisfied will fantasize. The unmet wish is illusionary