女性艺术在传统艺术批评标准中曾被赋予特定的含义,它意味着柔弱、细腻、温情、肤浅和被动,或者是局限于狭隘、感性、个人和装饰的主题范围,既缺乏创造的力量和哲理的深度,又缺乏关注社会与民族命运的远大胸怀,而成为传统美术史中的边缘或次要角色。然而,自上世纪70年代以来,性别研究越来越成为当代艺术批评中的一个重要内容。随着经济的发展和社会的变革,女性——这个几千年以来理所当然作为第二性和弱势的社会力量也逐步从幕后走到前台,并在当代艺术领 Women’s art has been given specific meanings in traditional art criticism standards. It means weakness, exquisiteness, warmheartedness, superficiality and passivity, or limited to narrow, sentimental, personal and decorative themes, lacking both the power and philosophy of creation Depth, but also lack of great concern about the fate of society and the nation, and become the margins or minor roles in the history of traditional art. However, since the 1970s, gender studies have increasingly become an important part of contemporary art criticism. With the economic development and social changes, women, which for some thousands of years have naturally taken the second and the inferior social forces, have also gradually come to the forefront from behind the scenes and have become leaders in the field of contemporary art