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《野叟曝言》的结尾部分叙写文素臣之母水氏的百岁寿典,其妄诞狂想至此臻于极致,但这一情节挪用了乾隆皇帝为其母崇庆皇太后举办的万寿庆典,也为这部小说打上了乾隆时代的历史印记。作为庆典的高潮,百出戏曲《圣母百寿记》在内容、形式风格,以及戏曲结构和戏台景观等方面都受到了宫廷大戏(尤其是万寿戏和连台大戏)的影响。小说的叙述者通过对戏曲表演的叙述,为整部作品做出回顾与前瞻,凸显了它帝国想像、自我点评与后设叙述等重要特征。
The end of the Wild Goatee’s prose narrates the centennial life history of the mother of Wen Ssu-chen’s mother, which has reached the limit with its fantasy. However, this episode embezzled the Wanshou held by Emperor Qianlong for his mother, Celebrations, but also for this novel marked the Qianlong era of the historical mark. As the climax of the festival, the 100th Drama “The Birthday of the Virgin” was influenced by the palace operas (especially the Wanshou Opera and the Lian Tai Opera) in terms of content, style and style as well as the opera structure and stage scenery. Through the narration of the performance of the opera, the narrator of the novel reviews and looks forward to the entire work, highlighting important features such as empire imagination, self-criticism and post-narration.