花山崖壁画的影象造型充分表现了先民的生命意识 ,具体体现在图腾崇拜、祖先崇拜、灵魂崇拜的原始宗教意识中 ,也体现在影象与画面内容的现实性和功用性中 ,表达了先民通过对生命的礼赞和崇拜而对人与自然、人与自我以及人类自身的生存、生活境遇的认识 ,具有深远的人类学与文化学的意义。 The image modeling of Huashangliao murals fully demonstrated the ancestral people’s life consciousness, embodied in the original religious consciousness of totem worship, ancestor worship and soul worship, as well as in the reality and function of images and pictures It is far-reaching anthropological and cultural significance for our ancestors to understand human beings, nature, man and self, and humankind’s own existence and life through the praise and worship of life.