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明清民间木版年画女性人物图像吉祥意蕴是传统吉祥文化的形式意义显现,它根植于中国民众共同的“趋吉求瑞”心理以及对于生命存在“求生祈福”精神本质的永恒追求,形式表现已形成相对成熟的人物表现与构成法则。在当今全球化的语境中,解悟明清民间木版年画女性人物图像吉祥意蕴是提升设计作品文化识别性,打造具有本土文化内涵的设计形态的新探索。
The auspicious implication of the images of the feminine figures in Ming and Qing Dynasties is the formal significance of the traditional auspicious culture. It is rooted in the eternal pursuit of the common “rejuvenation” mentality of the Chinese people and the spiritual essence of “survival blessing” , The formal performance has formed a relatively mature character and composition of the law. In today’s context of globalization, unlocking the auspicious meaning of the images of feminine figures in the civilized woodcut of the Ming and Qing Dynasties is a new exploration to enhance the recognition of the design work culture and to create a design form with a native cultural connotation.