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很多人谈起纪录片的第一感觉就视枯燥,冗长。本文通过对纪录片情节剧的表现手法的研究,探求增强纪录片可看性的具体实践方法。本文着重从影片《洪水之夜》的创作理念来分析纪录片情景剧中纪录片故事化,真实再现手法和依据,同时分析这种手法对于历史的真实的改变与否。分析得出,通过纪录片情景剧中真实再现的手法,对于纪录片本身的看点大大增加,同时也是对历史的一种浓缩与再现。
Many people talk about the first impression of the documentary as boring, lengthy. Through the study of the expression techniques of documentary melodrama, this article explores the practical methods of enhancing the viewability of documentaries. This article focuses on the analysis of the storyboard, the true reproduction techniques and the basis of the documentary in the documentary melodrama from the creative concept of “Night of the Flood”, and analyzes whether the method is true or not for the history. The analysis shows that through the true reappearance of the documentary melodramas, the focus on the documentary itself has greatly increased, as well as a concentration and reproduction of history.