我看到东声的书法,那是一派天真混沌的清灵,暗含着他对书法的理解。章法如是,结字和笔法、墨法亦然。他的用笔有弹性,有趣味,其行其止,有不可意料之处。清人沈德潜论诗谓“以意运法”,而反对“以意从法,正是看到了用笔时客观不能完全遵守主观的意愿。要做到“以意运法”,只有把握了功与性这两种因素之后,才有可能最终实现。 I saw the East calligraphy, it is a naive and chaotic spirit, implying his understanding of calligraphy. Chapter law is the case, knot words and stroke, ink law is also. His pen is flexible, interesting, its only stop, there are unexpected things. It is precisely because of the subjective intention that the Qing people can not completely comply with the subjective intention when they use the pen to obey the principle of " With these two factors, it is possible to finally achieve.