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在中国新时期的文坛上,毕飞宇一直用行动叙写着一位作家的朴实,踏实和沉着,也用更加纯熟的笔法和语言,叙写了他的传奇。而对于人的关注,更是毕飞宇一直创作的坚实基础。《推拿》便是其典型代表。毕飞宇首次站在盲人的视角,揭示盲人这一群体独特而真实的生活,深入到了这部分人群的内心。《推拿》中从盲人与健全人两方面进行叙述,分析盲人与健全人的异同。从两者的对比中,解读盲人对于精神的珍视,展现盲人与健全人共通的弊病,继而揭示作家以盲人为题材写作的真实意图,体味人性之光与人性之恶。
In the literary world of the new era in China, Bi Feiyu narrated the simplicity, steadiness and calmness of a writer with his actions, and narrated his legend with more sophisticated brushwork and language. For people’s attention, Bi Feiyu has always been a solid foundation for creation. “Massage” is its typical representative. For the first time, Bi Feiyu stood blind from the perspective of revealing the unique and real life of this group of blind people and deepening their hearts in this part of the crowd. In “Tui Na”, it narrates from blind people and sound people, analyzes the similarities and differences between blind people and healthy people. From the comparison of the two, we can see that the blind people value the spirit, show the common defects of blind people and healthy people, and then reveal the writer’s true intention of writing as a blind person and appreciate the evil of human nature and human nature.