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无论是富丽的牡丹还是洁傲的玉兰,它们最美的瞬间似乎不是摇曳于春天的枝头,而是飘落于京剧女旦的衣袖,被王瑶怜惜地捡起。《京剧》是王瑶《当代中国》系列著作中的一部(共四部),但不是一部专注于京剧服饰、扮相、表演及场景之美的摄影集。摄影家的意思,在于呈现当代中国从农业国向工业国转型之际,虚拟、动漫、廉价的后现代消费主义文化流行之时,作为中国
Whether it is the magnificent peony or the magnificent magnolia, their most beautiful moments do not seem to sway in spring branches, but falling on Peking Opera sleeve, was pityfully picked up by Wang Yao. Peking Opera is a part of Wang Yao’s contemporary China series of works (four in total), but it is not a photographic collection focusing on the beauty of Beijing opera costumes, appearances, performances and scenes. The meaning of the photographer lies in the fact that when contemporary China is transforming from an agrarian country to an industrial country, the fictional, anime and cheap postmodern consumerism culture prevails. As a Chinese